Schengen vizeniz ve çadırınız hazır mı? 🤘
Sizler için Avrupa’nın önde gelen yaz rock ve metal festivallerini tek bir rehberde derledik. İster bu yaz yola çıkmayı planlıyor olun, ister gelecek yıllar için listenizi hazırlayın.

Is your Schengen visa approved and your tent packed?

We’ve put together a guide to Europe’s leading summer rock & metal festivals. Whether you’re planning to hit the road this summer or building your festival bucket list for the years ahead, don’t forget to save this article.

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From the Shadow of the Violin to the Darkness of Carmilla: Esin Yardımlı Alves Pereira

After years of creating Celtic and Nordic folk albums, orchestral compositions for role-playing enthusiasts, and opening a gateway to medieval and Renaissance melodies through The Wandering Bard, Esin Yardımlı Alves Pereira now places her violin at the very heart of heavy metal. KIANIS – Homage to Carmilla is a dark and passionate encounter in which an overlooked female vampire finds her voice again through an instrument that has often been overlooked itself.

There has always been a desire for world-building at the core of Esin Yardımlı Alves Pereira’s music. Sometimes she wanders through the pages of a medieval song, sometimes along the mist-covered paths of Celtic and Nordic melodies, and sometimes she creates vast orchestral landscapes for role-playing worlds. Through The Wandering Bard, she follows the traces of historical instruments and ancient melodies, carrying a timeless emotion to modern listeners: the need to tell stories.

KIANIS – Homage to Carmilla opens one of the darkest doors of that journey. Inspired by Joseph Sheridan Le Fanu’s Gothic vampire novella Carmilla, written decades before Dracula, the EP is more than a literary tribute. It is also a statement of artistic identity. The violin becomes the protagonist of the story. Just as Carmilla has long remained in Dracula’s shadow, the violin has often been underestimated within the world of metal. With this release, Esin brings both of those overlooked voices into the spotlight.

Despite its concise twelve-minute runtime, Homage to Carmilla unfolds with a dense, theatrical atmosphere tinged in shades of deep crimson. In Esin’s world, medieval music, Gothic literature, and extreme metal become three different languages orbiting the same dark altar. We spoke with Esin Yardımlı Alves Pereira about her long-hidden metal vein, Carmilla’s enduring shadow, the creation of this new dark universe built around the violin, and the many facets of her musical identity.

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Few musicians in rock history have treated sound as something truly alive quite like Adrian Belew.

Whether alongside King Crimson, David Bowie, Talking Heads or Frank Zappa, Belew has always approached music with the mindset of an explorer — chasing strange textures, bending technology into emotion and constantly pushing beyond familiar territory. Especially during King Crimson’s groundbreaking 1980s era, he helped reshape progressive music into something futuristic, rhythmic and entirely unpredictable.
Now, with BEAT — alongside Steve Vai, Tony Levin and Danny Carey — Belew returns to the world of Discipline, Beat and Three of a Perfect Pair, not as a nostalgic act, but as a living continuation of that adventurous spirit.
In this conversation with Metal Oda, Adrian Belew reflects on the creative chaos of 1980s King Crimson, working with David Bowie, the influence of Beat Generation literature, artificial intelligence, creativity and progressive rock, and why curiosity still matters more than nostalgia.

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IN CONVERSATION WITH FAUN

 

In the relentless pace of the modern world, people often find themselves drifting into a kind of numbness—losing not only their sense of time, but also their connection to nature. A growing sense of estrangement takes hold. Yet certain forms of music—and art itself—have the power to reverse this disconnection, slowing time, reshaping its flow, and guiding the listener into an entirely different rhythm and mode of existence.

With narratives rooted in nature and myth, and with its mystical instruments and sonic textures, the German pagan folk band FAUN stands precisely at this intersection—rebuilding the bridge between past and present, ritual and stage, nature and human. Their music evokes the feeling of gathering around a fire under the open sky, returning to something deeply rooted. It is not merely something to be heard, but something to be experienced together.

Following the enchanting atmosphere of their 2023 Istanbul concert—where the boundary between stage and audience seemed to almost dissolve into a ritualistic experience—we spoke with FAUN’s founder Oliver Satyr about the essence of their music, the rediscovery of nature, and the transformation of cultural traces.

(Faun Turkey concerts, presented by Stagepass Live)

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Since its discovery in the North Pacific Ocean by the Woods Hole Oceanographic Institution in 1989, there has been a whale that has been wandering alone. Its name is 52 Blue. Some have even called it the 52-hertz whale or Alice. It has been alone for 35 years. The reason is that it vocalizes at 52 hertz (G#1), while other whales communicate within the 15–40 hertz range, meaning they cannot hear it. Its calls receive no response, and it cannot become part of a pod. It cannot even join migrations. Scientists, moreover, have never physically seen it. Its species and gender remain unknown… (Liu, 2024, pp. 1–5)

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Bruce Dickinson & Paganini: An Unfinished Rock Opera

Did you know that Bruce Dickinson began working on a rock opera about Paganini in the 1980s — a project that has yet to be brought to life? Now let’s see at what threshold do the “diabolical” classical music composer and violin virtuoso Paganini and Iron Maiden frontman Bruce Dickinson converge?

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Did you ever wonder why that small or mid-sized metal band you love in recordings sound like “mud” on stage?

It is not talent and the reason behind may surprise you.

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An Interview with Jason Bowman of The Yagas

(Güzin Paksoylu – Metal Oda 2025)

 

New York–based alternative rock/metal band The Yagas have made a powerful entrance into the metal music scene in 2024, generating wide excitement with their haunting sound and the presence of acclaimed actress Vera Farmiga as their vocalist. Their music is powerful, cinematic, and emotionally charged.
The band name Yagas evokes mystery and folklore, drawn from Baba Yaga — the wild witch of Slavic forests, a guardian of thresholds and transformation. Neither wholly good nor entirely evil, she is a figure of ambiguity: luminous and terrifying, destructive and protective. This duality shapes the band’s aesthetic and creative identity.

We spoke with Jason Bowman — drummer of The Yagas and founder of the Rock Academy — about the origins, philosophy, and future of the band.

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Echoes of Gothenburg

An Interview with Niclas Engelin of The Halo Effect

(Interview by Güzin Paksoylu – Metal Oda, Istanbul 2025)

There are sounds that define an era — and then there are those that transcend it. The Gothenburg scene was never just a location on a map; it was an emotional landscape where melody and aggression found their fragile equilibrium. With The Halo Effect, guitarist Niclas Engelin and his companions revisit that space of creation — not to relive the past, but to reawaken it with new light.

As they prepare to perform in Istanbul on November 22, we spoke with Niclas about the past and the of the metal scene, and the thrill of live performances.

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Since 1990, Wacken Open Air has reigned as one of the world’s most legendary metal festivals. Held annually in the tiny village of Wacken in Northern Germany’s Schleswig-Holstein region (just above Hamburg), this rural open-air experience brings thousands of metal music fans together from all over the globe. By now, visitors are affectionately called “metal pilgrims.”

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