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EXCLUSIVE: BARNEY GREENWAY TALKS HUMANITY, ANIMAL RIGHTS, PUNK, METAL AND NAPALM DEATH

From animal rights and environmental collapse to inequality, integrity, and the true meaning of resistance, Napalm Death vocalist Barney Greenway reflects on the values that continue to shape both his music and his worldview.

For more than four decades, Napalm Death has challenged musical conventions as fiercely as it has confronted social and political complacency. Yet speaking with Barney Greenway, it quickly becomes clear that labels such as grindcore, extreme metal or even rebellion are only part of the story. Throughout our conversation, he repeatedly returns to a far simpler idea: basic humanity.

From animal rights and environmental justice to inequality, climate change and artistic integrity, Greenway approaches every subject through the same ethical lens. Rather than offering slogans or easy answers, he argues that meaningful change begins with empathy, dignity and our willingness to recognise the value of every sentient being.

In this conversation with Metal Oda, Barney Greenway reflects on the responsibilities of artists, the legacy of Birmingham, the relationship between punk and metal, and why integrity still matters more than commercial success.

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WHEN THE VIOLIN MEETS METAL

 

From the Shadow of the Violin to the Darkness of Carmilla: Esin Yardımlı Alves Pereira

After years of creating Celtic and Nordic folk albums, orchestral compositions for role-playing enthusiasts, and opening a gateway to medieval and Renaissance melodies through The Wandering Bard, Esin Yardımlı Alves Pereira now places her violin at the very heart of heavy metal. KIANIS – Homage to Carmilla is a dark and passionate encounter in which an overlooked female vampire finds her voice again through an instrument that has often been overlooked itself.

There has always been a desire for world-building at the core of Esin Yardımlı Alves Pereira’s music. Sometimes she wanders through the pages of a medieval song, sometimes along the mist-covered paths of Celtic and Nordic melodies, and sometimes she creates vast orchestral landscapes for role-playing worlds. Through The Wandering Bard, she follows the traces of historical instruments and ancient melodies, carrying a timeless emotion to modern listeners: the need to tell stories.

KIANIS – Homage to Carmilla opens one of the darkest doors of that journey. Inspired by Joseph Sheridan Le Fanu’s Gothic vampire novella Carmilla, written decades before Dracula, the EP is more than a literary tribute. It is also a statement of artistic identity. The violin becomes the protagonist of the story. Just as Carmilla has long remained in Dracula’s shadow, the violin has often been underestimated within the world of metal. With this release, Esin brings both of those overlooked voices into the spotlight.

Despite its concise twelve-minute runtime, Homage to Carmilla unfolds with a dense, theatrical atmosphere tinged in shades of deep crimson. In Esin’s world, medieval music, Gothic literature, and extreme metal become three different languages orbiting the same dark altar. We spoke with Esin Yardımlı Alves Pereira about her long-hidden metal vein, Carmilla’s enduring shadow, the creation of this new dark universe built around the violin, and the many facets of her musical identity.

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BEAT: ADRIAN BELEW, STEVE VAI, TONY LEVIN and DANNY CAREY REVISIT 80s KING CRIMSON

Few musicians in rock history have treated sound as something truly alive quite like Adrian Belew.

Whether alongside King Crimson, David Bowie, Talking Heads or Frank Zappa, Belew has always approached music with the mindset of an explorer — chasing strange textures, bending technology into emotion and constantly pushing beyond familiar territory. Especially during King Crimson’s groundbreaking 1980s era, he helped reshape progressive music into something futuristic, rhythmic and entirely unpredictable.
Now, with BEAT — alongside Steve Vai, Tony Levin and Danny Carey — Belew returns to the world of Discipline, Beat and Three of a Perfect Pair, not as a nostalgic act, but as a living continuation of that adventurous spirit.
In this conversation with Metal Oda, Adrian Belew reflects on the creative chaos of 1980s King Crimson, working with David Bowie, the influence of Beat Generation literature, artificial intelligence, creativity and progressive rock, and why curiosity still matters more than nostalgia.

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FAUN A MUSICAL JOURNEY BACK TO NATURE

IN CONVERSATION WITH FAUN

 

In the relentless pace of the modern world, people often find themselves drifting into a kind of numbness—losing not only their sense of time, but also their connection to nature. A growing sense of estrangement takes hold. Yet certain forms of music—and art itself—have the power to reverse this disconnection, slowing time, reshaping its flow, and guiding the listener into an entirely different rhythm and mode of existence.

With narratives rooted in nature and myth, and with its mystical instruments and sonic textures, the German pagan folk band FAUN stands precisely at this intersection—rebuilding the bridge between past and present, ritual and stage, nature and human. Their music evokes the feeling of gathering around a fire under the open sky, returning to something deeply rooted. It is not merely something to be heard, but something to be experienced together.

Following the enchanting atmosphere of their 2023 Istanbul concert—where the boundary between stage and audience seemed to almost dissolve into a ritualistic experience—we spoke with FAUN’s founder Oliver Satyr about the essence of their music, the rediscovery of nature, and the transformation of cultural traces.

(Faun Turkey concerts, presented by Stagepass Live)

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DARK, BEAUTIFUL, RELENTLESS MEET THE YAGAS

An Interview with Jason Bowman of The Yagas

(Güzin Paksoylu – Metal Oda 2025)

 

New York–based alternative rock/metal band The Yagas have made a powerful entrance into the metal music scene in 2024, generating wide excitement with their haunting sound and the presence of acclaimed actress Vera Farmiga as their vocalist. Their music is powerful, cinematic, and emotionally charged.
The band name Yagas evokes mystery and folklore, drawn from Baba Yaga — the wild witch of Slavic forests, a guardian of thresholds and transformation. Neither wholly good nor entirely evil, she is a figure of ambiguity: luminous and terrifying, destructive and protective. This duality shapes the band’s aesthetic and creative identity.

We spoke with Jason Bowman — drummer of The Yagas and founder of the Rock Academy — about the origins, philosophy, and future of the band.

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ECHOES OF GOTHENBURG AN INTERVIEW WITH NICLAS ENGELIN OF THE HALO EFFECT

Echoes of Gothenburg

An Interview with Niclas Engelin of The Halo Effect

(Interview by Güzin Paksoylu – Metal Oda, Istanbul 2025)

There are sounds that define an era — and then there are those that transcend it. The Gothenburg scene was never just a location on a map; it was an emotional landscape where melody and aggression found their fragile equilibrium. With The Halo Effect, guitarist Niclas Engelin and his companions revisit that space of creation — not to relive the past, but to reawaken it with new light.

As they prepare to perform in Istanbul on November 22, we spoke with Niclas about the past and the of the metal scene, and the thrill of live performances.

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MENTAL MAZE: METAL IS THERAPY

** METAL ODA EXCLUSIVE INTERVIEW **

Metal Oda and brutalcore band Mental Maze had a candid chat on metal music, origins of Mental Maze and being a metal band in the Middle East:

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